The national rock protagonize the principle of the decadent tense of a transformation that marks in many respects a new recompense of its history. The year 1992, in particular, fue clave en este sentido. Durante esos 12 meses fueron lanzados grandos discos, pero hay cinco fundamentales which by various characteristics prophesy marking an ante and a dispose. Definite of the definitive consonant of Fito Páezdel despegue de Los Fabulosos Cadillacsdel volantazo musical y revolucionario de Soda Stereothe birthplace of “New Rock Argentino” from the debut label Babasónicosand the consolidation of “Rock Barrial” with the first album of Los Piojos.
Fito Páez, “El amor después del amor”
With love as the central concept of the work, Fito Páez alcans with their sexto work from the studio or podium of the best-selling rock of Argentina. A total of 14 songs that can be desecrated to provide a compilation of “great songs”. But, all the themes are part of this disco that marks the fire of generation variations and is transformed into a point of inflection for the carrera of rosary music, tanto in music as well as in composite.
Nunca un Album de Fito había sonada tan claro y ambitious. Your romance with actress Cecilia Roth as a piece of inspiration and collaboration a dream team of musicians de la talla de Mercedes Sosa (“Detrás del muro de los lamentos”), Charly García (“The magic wheel”), Luis Alberto Spinetta (“Petal of sal”), Fabiana Cantilo (“Dos días en la vida”) y Andrés Calamaro (“Brilliant about the mic”), among other things, hicieron from this album one of the most distant works of the last decadence.
“The love deprived of love” is transformed into an immediate commercial excitement. The impact of your songs is translated into the vents. All the themes of the disco are ganaron por derecho propio el mote de hitazos. Hasta la fecha, sigue siendo the most famous disco in the history of popular Argentine music.
Fundamental themes: “The love despised by love”, “Tumbas de la gloria”, “Petal de sal” and “A vestido y un amor”.
Soda Stereo, “Dynamo”
Game of Thrones in 1990 “Canción animal”, considered among the greatest discs of the history of national rock, Gustavo Cerati, Charly Alberti y Zeta Bosio se sumergen en una propuesta completely diferente y lanzan “Dynamo”.
A study of the studio that does not resonate with the general public. A volantazo musical hacia el alternative rock and sonic music, tends to vein over all of England (Stone Roses) and United States (Sonic Youth) that the distortion and effects of the guitars have a predominant effect. A su vez, y con Daniel Melero newly in the team, it sums up electronic bases, loops and sequences. The exchange rate is radical.
Una vez más Soda Stereo show your eclectic capacity. The search for new textures, based on a special treatment of guitars, chanting loops and all kinds of effects, arranging the songs marking the expansive power of the new Soda work.
Fue sin lugar a dudas the most disruptive disc of your carrera. An antes y un después, sobre todo para Cerati, which now more abandoned these novel and sophisticated sonorities. Además, mark the final of 80 and the point of the sonorous part of 90. A revolutionary disco for donde se lo escuche.
Fundamental themes: “Primavera 0”, “Luna roja”, “Secuencia initial” and “Nuestra Fe”.
Los Fabulosos Cadillacs, “El león”
The Cadillacs ya venían show algunas señales de cierto alejamiento al genreo musical that los vio nacer: el ska. The water furnace was born in the 50’s in Jamaica and flourished in England in the 60’s, with design bands such as The Special and Madness, which had several counts. The Cadillacs necesitaban a change, a resurfacing. And with that sexto work of the studio the consultant. It’s the disco that the abridged camouflage the massive excitement that finally consolidates the most distant ones with the launch of “Rey azúcar” (1994).
“El león” is present solid repertoire que va de lo fiestero y popular (“Carnival toda vida”, “Gitana”) and the great compositions (“Siguiendo la luna”). Además, you have to read verse one major social compromise in its prophecywhich translates into one clear politicization of their letters. “Gallo Rojo”, dedicated to Che Guevara, and “Desapariciones”, a version of one of the most important Latin American social songs written by Ruben Bládes, summarizes “Manuel Santillán, the song” A “Arde Buen.
The reinvention of Los Fabulosos Cadillacs estaba en marcha. With a fundamental creation of Flavio Cianciarulo as composer, un Vicentico to give the necessary pass to asumir in the role of frontman and a band that in its conjunction sonaba as ninguna otra, ya estaba todo dicho.
Fundamental themes: “Siguiendo la luna”, “Manuel Santillán, el león”, “Carnival toda la vida” and “Gitana”.
Coming out of the 90s, the national rock comedy a mutar in variation directions. Among the new sounds that lingering from afuera, alternative rock and grunge establish themselves penetrating the dentist interest of industry and the public.
In this context, it is not the first disco of Babasónicos. 20 free songs for a local scene that featured an urgent and radical exchange rate. An album that makes comment on the nickname “New rock argentino”a musical, cultural and generational revolution that integrates bands such as Juana La Loca, Los Brujos, Martes Menta, Peligrosos Gorriones, El Otro Yo, Illya Kuryaki and The Valderramas and Fun People, among others.
Babasónicos always in vanguardia. If you do not want to miss out on this great opportunity, you’ve got the hang of it. With the salida de “Pasto”, clearly tense only in front of us a distinct band. The Chinese style as a presentation card is summed or disconnected as ground to elaborate on the proposal. A disco that plays with the alternative (“D-Generation”, “About the hierba”), pero también con las balladas oníricas (“Natural”, “Bien”) are basically those that transform their hairs into their own body.
A piece of musical revolution for a chance generation of opportunistic rock tantrum, preventable and exacerbating barricidal authenticity. A new ola que llegaria for holding all the liberty and fantasy.
Fundamental themes: “D-Generation”, “Natural”, “Bien” and “Sobre la hierba”.
Los Piojos, “Chactuchac”
Other big bands that sailed in 1992 fueron Los Piojos. With their disco debut, they led by Andrés “Ciro” Martínez corresponds to an incipient scene of “rock barrial” with a proprietary stream of rioplatinous air.
Musically, “Chactuchac ” distance on the purest primary rock, but with the best sound in the rhythmic aperture and in many beautiful Ciro lyrics. Al blues of algunas of its compositions, if the sum of tango as one of the rags characteristic in its initials that the difference of the demos, as a result of the essence of barricades and footballers.
“Yira, yira” fired from one of the bandworms in the Archegios underwater, the San Telmo motto where the first few pass the majority of the barbell bands, with songs like “Chac Tu Chac” , “Cruel” and “Tan solo” las que marcarían el rumbo, elaborating a propeller style that evolves into a plane of evolution. Most of these compositions are pure DNA, which identify and decompose to transform into one of the most important and convincing bands of the current decade.
Fundamental themes: “Tan solo”, “Chac Tu Chac”, “Cruel” and “Llévatelo”.