If there’s a universe where Everything Everywhere All at Once didn’t dominate the 95th Academy Awards, you wouldn’t want to live there. Daniel Kwan and Daniel Scheinert’s madcap multiversal adventure took home seven statues on Hollywood’s big night, including Best Picture, Best Director and a history-making Best Actress win by Michelle Yeoh — the first Asian actress ever to take home that prize.
Expertly emceed by returning host Jimmy Kimmel, the 2023 ceremony wasn’t exactly filled with surprises — Everything Everywhere was the odds-on favorite in virtually every category it won — but it didn’t lack for moving speeches and great reunions… like seeing the Indiana Jones and the Temple of Doom gang in the same room again nearly four decades after that 1984 blockbuster. Moments like that made up for occasional missteps like the part of the night where the Oscars suddenly morphed into a Little Mermaid commercial. Here’s our recap of the highs, lows and head-scratchers of the 2023 Oscars.
HIGH: The Everything Everywhere All at Once cast come everywhere
Talk about accuracy in movie titles. The Everything Everywhere All at Once cast won almost every acting award in sight with Ke Huy Quan, Jamie Lee Curtis and Michelle Yeoh all taking home statues for their performances in the indie blockbuster. And they each delivered memorable acceptance speeches to boot, with Quan calling his win “the American Dream” and Curtis memorably shouting out every Scream Queen origins on the same weekend that Scream VI dominated the box-office charts. Meanwhile, Yeoh’s “dream big” message in every moving speech was really our everything.
HIGH: Jimmy Kimmel really mastered those ceremonies
Third time was the charm for Jimmy Kimmel, who put memories of Envelopegate to rest at last with a steady turn as the host of the 95th edition of the Oscars. Smoothly moving past last year’s Slap in his opening monologue, the late-night host kept the patter light and funny — with the exception of an ill-advised Robert Blake joke — and the evening moving, even during the now-standard mid-show slowdown. Somewhere, Warren Beatty and Faye Dunaway are smiling.
low: The Little Mermaid Commercial was not part of our world
You may have forgotten that ABC is owned by the Walt Disney Company… but the Mouse House sure didn’t. Disney took advantage of being the home of the Academy Awards by interrupting the ceremony with an extended bit of promotion for the upcoming live action adaptation of the 1989 animated classic. The Little Mermaid. First, stars Halle Bailey and Melissa McCarthy took the stage to talk up the Rob Marshall-directed movie, and then introduced an all-new trailer that featured familiar tunes paired with special effects. that was noticeably less than special. Personally, we prefer it when the commercials are saved for the commercial breaks.
HIGH: The musical performances had us singing and dancing
Alexa, play “Naatu Naatu.” The breakout musical number from the breakout Tollywood hit RRR electrified the Oscars with a performance that got the crowd clapping in time with the performers. But that wasn’t the only memorable music moment from the ceremony: former Talking Head David Byrne and his hot dog fingers took the stage alongside Stephanie Hsu and Son Lux for “This Is a Life,” from Everything Everywhere All at Once; Lady Gaga returned to the Oscar stage for the first time since her barnstormer Bradley Cooper duet to belt her Top Gun: Maverick anthem, “Hold My Hand”; and Rihanna brought the house down with the Chadwick Boseman-dedicated Wakanda Forever song “Lift Me Up.”
LOW: Winners of color did not always get to finish their thoughts
All Oscar winners are theoretically granted 45 seconds to accept their statues and thank their collaborators. But Twitter noticed that some winners took more time than others. Case in point: The Indian women behind the Best Documentary Short winner, The Elephant Whisperers, be hurriedly played offstage by the Oscar orchestra, while the white British directors of the Best Animated Short champ, The Boy, The Mole, The Fox and the Horse, were able to wrap up their speeches uninterrupted. At least Yeoh wasn’t played off during her speech — you know what happens if you try to do that.
HIGH: Colin Farrell was this year’s Jack Nicholson
For years, Jack Nicholson reigned as the Oscar king from his front row seat at ceremony after ceremony. But with the veteran actor out of the public eye, other performers have taken over that role. This year, the crown passed to Colin Farrell, who was front and center throughout the whole night and gamely played along with everything and everyone who came his way. Whether fielding fan questions or greeting his (fake) donkey co-star from The Banshees of Inisherinthe Irish actor was the fuck‘life of the party.
LOW: Hugh Grant was in a mood
Hugh Grant is known for having a prickly personality, but he was pricklier than ever during his time at the Oscars — starting with a divisive pre-show appearance where he had a frosty exchange with model Ashley Graham, who was anchoring the white carpet for ABC . Later on, he took the stage with him Four Weddings and a Funeral co-star Andie MacDowell to present the Best Production Design Oscar and compared his appearance to a “scrotum.” Are we sure he wasn’t doing a Method performance to prepare for Paddington 3?
HIGH: A big-screen Indiana Jones and Short Round reunion feels like Destiny
Call it (the dial of) destiny: Indiana Jones himself, Harrison Ford, presented his former kid sidekick Quan and the rest of the Everything Everywhere All at Once crew with their Best Picture statue. Meanwhile, the director who put the dynamic duo together for their Temple of Doom adventure — Steven Spielberg — watched them proudly from the crowd. Quan shared backstage that during one of the commercial breaks, the just-crowned winner “ran up to Steven Spielberg, and he gave me a big hug. He put his arms around me, and he says, ‘Ke, you are now an Oscar – winning actor. And hearing him say that meant the world to me, and I still couldn’t believe it.” We’re making our prediction now: Short Round will be in the fifth Indiana Jones movie… through the magic of reshoots.
LOW: Angela Bassett forever
The Wakanda Forever star came this close to doing the thing — ie, winning the Best Supporting Actress statue — only to hear Curtis’s name called instead. In that moment, Bassett’s disappointment was both palpable and understandable, and Twitter felt the loss right along with her. Fortunately, every Black Panther co-star Michael B. Jordan made a point of lifting her up as both he and Jonathan Majors called out their “auntie” from the stage while presenting the Best Cinematography award. At times like these, it’s a shame that all the nominees can’t be winners.
HEAD-SCRATCHER: A gone-too-soon star was omitted from the In Memoriam segment
The sudden death of Triangle of Sadness star Charlie Dean last August made international headlines ahead of the film’s release. Apparently, the Oscar producers didn’t read those headlines as the 32-year-old actress was notably absent from the annual “In Memoriam” reel highlighting talented performers and artisans that passed away in the last year. Dean’s absence was all the stranger given that her movie was up for multiple nominations, including Best Picture. Someone at the Academy has some explaining to do.