Oumu Sangaré in the center of the world, “The Battle of the Grands” playlist version and Radiohead sequel by other media

Central Africa

Born in Bamako, in Mali, on the music of the wassoulou region, composer and singer Oumou Sangaré pulling together the limits of what the market defines as World Music, a music that, ya se sabe, is the (other) world. The one that is afuera. As with barbaric antiquities their existence is defined from the center of the empire –that, incidentally, from a time that has taken place in Rome–. Podría pensarse, on the exchange, Africa – or its diverse cultures – as the center of the world. De hecho, en la riquísima música de Timbuktuis a disco named as the city in which the planet’s first university ends, apparatus elements of folklore were so many sobs that they are reconcivable in the music of the glorious Occidente (it is called Norte).

Ideado durante la pandemia por Sangaré junto con Mamadou Sidibé, which from time to time with the camel in it (a layered version of this skin resonating with tea is a recumbent drink), the songs are grabbed away from the normalization of flights to Burma, Baltic, Faso and Paris. The superposition –hypnotic, exaggerated– of different rhythmic patterns is an obligation. También la voz extraordinaria de Sangaré. Pero además are the resonances of the “blues of the desert”, one of the new genres of music exiled in Africa, and the notable guitar from Pascal Danaé, one of the album producers. If you sing these songs as the music of the barbarians, in any case, falls short of a preposition, as in a famous poem by Konstandinos Kavafiswhich is what we do without.


The battle of the greats

Había, an epoch in which novels are broadcast on the radio, a program broadcast Modart en la Noche. All se scuchu by primera with “Hey Jude”, for example. Había mucha morralla, por supuesto (Bill Deal & The Rondells, Robin Gibb1910 Fruitgom Company). In addition, there is another part of the lesson: Traffic, Cream, Led Zeppelin, Joe Cocker o Jethro Tull in their com- munity, they pay much attention to what their discs are editing in Argentina. You have a section of lambada The battle of the greats, donde la misma canción se esucuchaba dos veces, en dos versionsenstint. In a nutshell, here is a playlist where you can search for contrasting interpretations of what it looks like in Modart at night only: Alberto Castillo vs Edith Piaf, Maurice Ravel vs Frank Sinatra con Harry James, Chico Buarque con Milton Nascimento vs Milton Nascimento con Chico Buarque y hasta Richard Wagner vs a North American group of peruvian psychedelic cumbia.


The sound of Radiohead’s cat

“Do not treat yourself to the sound of the class ‘Ja ja ja’ sino more than the sound of the type that is best for all children”, aclaró Thom Yorke buy the name of the group you want to train with Jonny Greenwood y Tom Skinner. Yorke y Greenwood son (o eran) compañeros en Radiohead and Skinner show the multicultural jazz of London and it all, between other groups, with the electronic Floating Points (who grabs the alabaster Promisesjunto with the great saxophonist Pharoah Sanders and the London Symphony and Sons of Kemetdonde revista el notable saxophonist Shabaka Hutchings (here are some of the best discs, Your Queen is a Reptile, from 2018).



A Light for Attracting Attentionthe first disco de The Smile (or Radiohead’s ultimate) is exactly what the headline is. Survived by the sound of it, as the wind blows, the light – a clear reincarnation of rock as “squeaky” music and its complexity as value – inevitably emerges from the sombras. Rock’n roll attracted by the obsession with “You Will Never Work In Television Again”, its three repetitive and crescendo lines, which are summed up by being part of the second sequence and, lougo, claro, in tension with essay progressively abusive density (abused) the English vowel, the pop, the Beatle of York, in the “The Same” magnifying glass, the discus, the contraption between the guitar – and its subgrabs – and the bass in ” The Opposite ”. Podría decirse que allí is the brand of the Yorke-Greenwood factory. The difference between one and the other works separately, but this is evident in the continuity with the group that takes melancholy to one of the beautiful arts, al fin and in the other way as consuming the English song.


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